The Evaluator appraises a speech, giving useful commendations and recommendations.
Purpose
The main purpose is to help the Speaker improve.
Secondary purposes are to help everyone else in the audience improve, and to further hone your own public speaking skills. Otherwise you might as well just have a private chat with the Speaker afterwards!
Evaluating a Prepared Speech
Before the Prepared Speech
Read the pages of the manual or Pathways project concerning the speech and familiarise yourself with the speech objectives. The manual or evaluation form can be used as a ‘cheat sheet’ for your evaluation.
Ask if the Speaker wants you to look out for anything else in particular.
During the Prepared Speech
Listen carefully. Making too many notes can distract you and is unnecessary; the audience do not want you to repeat or summarise the speech – they have just heard it!
Ensure that you have written down clearly the main points you want to make (or, if you don’t use notes, have them firmly in mind) so that they can be structured into a coherent Evaluation Speech.
Your Evaluation Speech
- Give commendations. Praise the good aspects of the speech, without adding reservations which cancel it out.
- Give recommendations. Doing this usefully yet tactfully is the main challenge of an evaluation. In the same way that in a football match it is a foul to go for the player rather than the ball, consider it a foul to go for the speaker rather than the speech.
- If you cannot think of any recommendations you can put forward alternative approaches for consideration. (This can be a useful device for evaluating an experienced speaker.)
- Structure commendations at the beginning and end, with recommendations in the middle. This is often referred to as the ‘sandwich’ technique.
- Be specific. Rather than spouting general platitudes, detail specific elements that were sucessful and specific suggestions for enhancement.
- All comments should be expressed as your personal opinion (for example, “I think …” or “My view is …”) and not a universal judgement or the voice of God.
- Without ignoring the speaker, address all the audience. Expressions like “I believe we could all learn from the way in which …” make everyone feel involved.
- Don’t try to cover too many points. You can meet up with the Speaker afterwards and go into more detail, covering aspects more appropriately addressed only to the Speaker.
- Above all, bear in mind that everyone feels hurt by naked criticism of their efforts – not just you!
Script
Introduce the Speaker
- Good Evening Fellow Toastmasters and most welcome guests and especially Anna.
- I am so delighted today to evaluate _________________ speech number 2 from ____________________Path – _________________________(project name)
The Objectives of the project are: examples
- To choose any topic for your first speech.
- and carefully review the feedback.
Personal Objectives are
Timings:
- This is a 5 to 7 minute speech. Green light at 5, Amber at 6 and Red at 7.
- __________‘s speech is entitled ______________________________________________
So with a speech entitled ______________________________________ please give a very warm welcome to ________________.
Evaluation example
a) Intro -Examples
Fellow Toastmasters and most welcome guests …..
What a great speech!
What I enjoyed most about this speech was
- –
- –
- –
b) Main Body
3 things that _______________ has done well and we can all learn from:
1.
2.
3.
Suggestions: Examples
- Engaged us from the start with a rhetorical question / a quotation
- Used great vocal variety – loud when he wanted to me dramatic and quieter at the more sensitive points
- Used the power of 3 in the body – easy for her and us as the audience to remember the main points of his speech
- –
- –
c) Conclusion
In summary:
This was fantastic speech and you met your objectives.
Your speaking skills continue to improve and I enjoy listening to your speeches.
Supporting information
Supporting info
Speech Element |
Excellent |
Need Improvement |
Tips |
Appropriate language |
Simply understood |
Jargon |
Letter count/child’s version |
Clarity and enunciation |
every word clear |
Mumbled or unclear |
Record, practice with a cork in mouth |
Structure |
Supports Purpose |
No connection |
Edit to developed, Use 1 of 7 types |
Logic, flow, organisation |
clear signposted |
Confused or not relevant |
start with signs and flag intermediate steps |
Voice |
Clear, mellow |
Harsh, Nasal |
Exercise before speaking |
Volume |
Well projected, vibrant |
Flat, inaudible |
Record and listen back |
Pitch |
varied, full |
Monotonous, shrill |
Highlight key words in sentence |
Pace |
varied, dramatic |
single rate, fast or slow |
Choreograph VV until natural |
Pauses |
allow thinking |
non-existent |
Think like a singer |
General |
Good eye contact |
Looking up, down, sideways while thinking or when struggling to “find the right words”. Looking at notes or presentation slides, back of the room for long periods |
Practice the speech – do not use many notes. Look at the audience while thinking. |
Effectiveness |
Eye contact evident at critical lines/messages |
Eye contact not sustained at critical lines/messages. |
Elevate the effectiveness of key lines by making sure you are looking at your audience. Should include opening, closing and critical lines/messages. |
Emotion |
Eyes alive – happiness, sadness, surprise, excitement, confusion |
No emotion evident |
Emotion matches your words at a given time the impact of your words will be much stronger. |
Focus |
Sustained your eye contact for a few seconds, or about the time it takes to deliver an average-length sentence. |
Eyes bounce left and right across the room. gaze is too short or uncomfortably long |
Avoid ping-pong instead sustain eye contact with someone for a few seconds, then move on |
Connection |
Connected directly audience eyes |
Looked at their bodies, over their heads & etc. |
Practice direct eye contact |
Speech purpose |
Clear and relevant |
Confused or not relevant |
Make it clear how the audience will benefited what steps they need to take |
Audience reaction |
enthusiastic, engaged |
none |
use questions and image vocabulary to engage |
Props/Visual aids |
Supportive and easy to see |
Distracting |
Check from back of room, check prior with family understanding |
Humour |
Got laughs |
jokes mis-fired |
Repeat to get timing, sentence structure |
Strong word picture |
Strong pictures, engaging senses |
Bland |
Use vivid adjectives that describe senses |